Simpson was born in Leamington, Warwickshire. In 2021, he was featured as Composer of the Week on BBC Radio 3. The society aims to bring Simpson's music to a wider public by sponsoring recordings and live performances of his work, by issuing a journal and other publications, and by maintaining an archive of material relating to the composer. Remarkably for a living contemporary composer, a Robert Simpson Society was formed in 1980 by individuals concerned that Simpson's music had been unfairly neglected. He studied composition under Herbert Howells. He is best known for his orchestral and chamber music (particularly those in the key classical forms: 11 symphonies and 15 string quartets), and for his writings on the music of Beethoven, Bruckner, Nielsen and Sibelius. Robert Wilfred Levick Simpson (2 March 1921 – 21 November 1997) was an English composer, as well as a long-serving BBC producer and broadcaster. JSTOR ( May 2021) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed.įind sources: "Robert Simpson" composer – news Please help improve this article by adding citations to reliable sources. This is fiercely accented music of forceful contrasts but irresistible momentum.This article needs additional citations for verification. Initially marking the movement Allegro, Sibelius adds più allegro (more lively), then poco a poco più allegro ed energico (little by little more lively and energetic), and then sempre più energico (always more energetic), as the music rushes onward like the homeward bound Lemminkäinen of Sibelius' epic tone poem. A more impetuous sort of figuration is prominent in the fiery finale, with more than a hint of folk fiddling. Like the first scherzo, the second scherzo is motivically related to the first movement, and it also shares the opening movement's murmuring figures. It was over these chords that Sibelius wrote the words "voces intimae" in a friend's score, suggesting a personal reference. Uncertainty is immediately apparent harmonically in this Adagio, and as the music slithers into a new key area, there are suddenly three detached, soft chords in E minor, remote from any of the previous harmonic implications. A fleetly ricocheting scherzo in A major follows directly, further linked to the first with motivic connections.Ī soulful quest for serenity in F major lies at the center of the work. The work begins with an introductory bit of dialog between first violin and cello, leading into a movement punctuating murmurous figuration with firm chords. The subtitle, "Intimate Voices," suggests both the conversational quality of chamber music and the inwardness of Sibelius' ruminations. Often spare and brooding, the five-movement Quartet anticipates the Fourth Symphony far more than it reflects the brighter rituals of the Third Symphony. One of the last pieces he wrote on a four-year contract with the publisher Robert Lienau, it was premiered in Berlin in January 1910. The String Quartet, "Voces intimae," was composed in winter 1908-09, between the Third and Fourth Symphonies and during a time of health and financial crises. Only one, though, dates from his artistic maturity. Sibelius was a middling violinist himself, and he wrote a fair amount of chamber music in his student years, including at least three full string quartets and a number of shorter pieces for four string players.
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